8/17/2023 0 Comments Madcap laughs"I can't enjoy music anymore", "There's too much music how do I keep up?", "Where can I find friends who like the same music as me?") are not allowed. Posts about your own mental health and relationship issues as they pertain to music in general (e.g. Also, don't include a link to your blog etc. Users should not have to go to your website to join the conversation. If you have a blog post or essay, you may make a post with it, but you must include the entire contents of the post/essay in the post here. This isn't the place to promote yourself, your podcast, or your channel. r/letstalkmusic is not the place to solicit or post links to illegal music downloads. Mentioning music without linking to the music is difficult for someone who is not familiar with it. If you mention a song or an album in a comment, please take the time to add a Youtube link or a streaming playlist, so readers can easily check them out. Unless there is a deeper level of discussion to the question, recommendation threads should be put in the general discussion post or in the chatroom. Low-effort parent replies will be removed with extreme prejudice. You must also tag your post with '' at the beginning of the title! Mods reserve the right to lock / remove any threads that they deem do not fit these criteria. We encourage list threads ONLY if they are in-depth and generate parent replies with quality content. List threads have grown popular here and have generated a lot of good discussion and content. Most removed posts can be resubmitted successfully by making the topic more discussion oriented. "DAE" posts invite yes/no answers and do not stimulate discussion! If your contribution has been deleted and you feel peeved, feel free to let us know. Threads like "I like band x, do you?" or "Help me get into band y" don't belong here. Posts should include in-depth questions and analytical opinions. New topics must aim to start a discussion. Trivial and uninteresting threads may be deleted. Try to engage in intriguing conversation. A comment should always further the discussion in some way, whether it be through adding onto the original post, contributing new information, offering an opposing viewpoint, etc. Back up your opinions with details and examples. All top level comments must be longer than simply a sentence or two, barring questions and some exceptions. Album DescriptionComments must meet a general standard of quality determined by the moderators. See More Your browser does not support the audio element. But for that misstep, however, The Madcap Laughs is a surprisingly effective record that holds up better than its "ooh, lookit the scary crazy person" reputation suggests. The album falls apart with the appalling "Feel." Frankly, the inclusion of false starts and studio chatter, not to mention some simply horrible off-key singing by Barrett, makes this already marginal track feel disgustingly exploitative. Honestly, however, the other solo tracks are the album's weakest tracks, with the exception of the plain gorgeous "Golden Hair," a musical setting of a James Joyce poem that's simply spellbinding. The solo tracks are what made the album's reputation, though, particularly the horrifying "Dark Globe," a first-person portrait of schizophrenia that's seemingly the most self-aware song this normally whimsical songwriter ever created. Like many of the "band" tracks, "Here I Go" is a Barrett solo performance with overdubs by Mike Ratledge, Hugh Hopper, and Robert Wyatt of the Soft Machine the combination doesn't always particularly work, as the Softs' jazzy, improvisational style is hemmed in by having to follow Barrett's predetermined lead, so on several tracks, like "No Good Trying," they content themselves with simply making weird noises in the background. The downright Kinksy "Here I Go" is in the same style, although it's both more lyrically direct and musically freaky, speeding up and slowing down seemingly at random. The much bouncier "Love You" sounds like a sunny little Carnaby Street pop song along the lines of an early Move single, complete with music hall piano, until the listener tries to parse the lyrics and realizes that they make no sense at all. The opening "Terrapin" seems to go on three times as long as its five-minute length, creating a hypnotic effect through Barrett's simple, repetitive guitar figure and stream of consciousness lyrics. Surprisingly, Jones' tracks are song for song much stronger than the more-lauded Floyd entries. Half the album was recorded by Barrett's former bandmates Roger Waters and Dave Gilmour, and the other half by Harvest Records head Malcolm Jones. Wisely, The Madcap Laughs doesn't even try to sound like a consistent record. Purchase and download this album in a wide variety of formats depending on your needs.
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